PHOSCYON gives you access authentic vintage sounds at a fraction of the cost of the real thing. demoing Phoscyon so would be useful if i can digure out what you’re doing with specific parameters to get the acid sound).Įdit: forget to say thanks for sharing this.Overview Taking the classic analog sound of the legendary silver box into the future, PHOSCYON offers an unmatched sound together with advanced features such as a state of the art Distortion unit fully user configurable BPM sync'd Arpeggiator and Randomizer a unique 'Play Live' mode vintage arrangement and pattern builder, full MIDI CC support and, to top it off, the most authentic 18db/oct low pass filter ever created! Diehard fans of the original Bass Line will be blown away with PHOSCYON’s uncanny emulation of the classic, but will also marvel at the ease with which new sounds can be crafted sounds which were not possible on the original. Just curious- think if I could understand this, it might help with programming other instruments (ex.
The question is: Which paramaters? Is it something like cutoff and resonance? Quick question, mainly out of curiousity - don’t have ABL2, so obv the instrument automations go nowhere but: If I understand correctly (total NOOB here) the LFO’s are being routed to the Instrument Automation Meta device, and I’m guessing to specific parameters. If you’re tight on space, you can also have the note off on the same line, and simply add a tiny delay in the delay column: You can achieve this by putting the 2nd note into its own separate note column, and then stop the 1st note after the 2nd note has started. Should hopefully be compatible with the Mac VSTi as well.īasically, to slide from one note to another, the 1st note must still be playing when the 2nd note is triggered. You didn’t mention if you were on Windows or Mac, but here’s a quick example using the ABL 2 VSTi (32-bit) on Windows.
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